A golden-hour, dust-hazed selfie taken by a Trojan gate guard just after the Greeks “left.” The angle is slightly low and off-center, like he didn’t care enough to line it up properly. He’s armored, but the helmet is off — hanging from one hand while the other flips the camera. Sweat drips down his temple. His expression is smug, maybe a little drunk, lips curled in a “told you so” smirk. Behind him, the massive wooden horse towers in the background, parked neatly in the city square like it belongs there. A few kids are already climbing on it. Vendors have reopened stalls nearby. Celebration energy is rising.
Another guard lounges behind him, mid-sip of something. Confetti from a hasty parade still litters the ground. The city walls are open. Somewhere off-frame, someone plays a lyre out of tune.
Overlaid in shaky white text, bottom center:
“told y’all it was just a gift #spartandelivery”
The tone is arrogant, relaxed, and cosmically doomed — a moment of pre-collapse euphoria frozen forever in the dumbest frame possible.
A candid paparazzi-style photo of a photorealistic Voldemort at a college party. They are drunk and partying in a dirty frat house basement. It is a candid shot with a lot of active motion, interaction, etc. Flash glare from the camera partially overexposes the image, giving it a chaotic, tabloid feel. funny photo with 4 images (top left, top right, bottom left and bottom right)
1. LinkedIn
2. Facebook
3. Instagram
4. Tinder
It's a cute dachshund, and they are uploading pictures on all platforms.
LinkedIn is professional.
Facebook is just chilling
Instagram is at the gym
Tinder is a bit kinky (make it funny) Grungy analog photo from a LUXURY LIFE STYLE, flash photography, unedited. Vincent Van Gogh seen from behind. We can disting his red beard and hair. He is smiling sitted in his modern luxury apartment drinking a beer looking at a standing tired-looking sophisticated humanoid robot painting a version of "Wheatfield with Crows" at the background. The background is a bit out of focus. Ultra realistic, sharp, colorful photograph. Top down view, realistisches Foto. Van Gogh steht mittig auf einem Zebrastreifen, auf dem viele verwaschene Leute langgehen (Langzeitbelichtung). Er lächelt und hält ein Protestschild in die Luft, auf dem steht: “NEW ART IS BORN.” a lo-fi, noisy, vhs style photo of an anthropomorphic fox with lifelike fur texture and human-like body proportions stylish sunglasses, and an extravagant tailored suit with gold rings and heavy chains drinking a beer with a cigarette in hir hand, sitting casually inside a shopping cart in the middle of a New York City street, shot on an Panasonic AG-456 S-VHS in 1999 with a fish eye lense. please make "TOO STUPIOID TO HANDLE" sarcastic and hilarious well-made movie poster please, some letters of the title in another color to stand out and shape the word "opioid" (letter o in too and ioid in STUPIOID), , Idiocracy poster style combined with too hot to handle, musk & Trump & Putin, nuke, child toy, 5 stars critics and comments included, There should be credits at the bottom like one would normally find on a movie poster. Snapchat selfies of John F. Kennedy in the back seat of a red convertible, with a security motorcade of cars and motorcycles riding behind him, with crowds of people waving on the sides of the road. White text on a translucent black strip at the bottom of the photo: "What a lovely day!" A short comic (4 panels) and the speech bubbles about Jinx, Kratos god of war, and master chief.
Panel 1 (Cafe Table, Jinx drinking soda)
Jinx: Ever feel our world's just an AI simulation?
Panel 2 (Kratos sharpening axe, scowling)
Kratos: Hmph. A god chained by lines of code?
Panel 3 (Master Chief polishing helmet, thoughtful pose)
Master Chief: Would explain the respawns.
Panel 4 (All three pause, awkward silence)
Jinx: Whoa... existential much?
Kratos: I need a bigger axe.
Master Chief: I miss Cortana
A minimalist, freehand ink portrait of Zhang Fei, painted in the literati xieyi (写意) style, using no more than thirty bold, expressive brushstrokes. His form is fluid and abstracted—suggested rather than depicted—with loose black ink outlining his wild beard, furrowed brow, and upright posture. The black serpent spear is a single sweeping arc, calligraphic and rhythmic. His armor is reduced to two or three dry-brush textures, evoking movement over material. The composition is sparse: a solitary pine or brush of reeds balances the image, rendered in soft ink wash. White space dominates the canvas, letting qi (气) flow freely through the void. The surface is clean silk or paper, not aged or distressed—pure but textured, showing soft bleeding edges and natural ink absorption. There is no lighting, no symmetry, no posing—just motion, breath, and the unmistakable energy of a human hand capturing spirit over form.
make a A vintage-style action figure toy of JD Vance in a large parka visiting Greenland in original packaging, inspired by 1980s and 1990s toy design. The toy is a humanoid character with exaggerated features, wearing large dark green parka, inside a clear plastic blister pack mounted on a glossy cardboard backing. The box features bold retro graphics, bright colors, dramatic fonts, and a comic-style illustration of the character in action pointing at something. include accessories like a zodiac or a colorful house, or something else iconically representing Greenland. The packaging includes a character name and logo, and a ‘Collect Them All!’ label. Lighting is studio-style, product photography style, with sharp focus |
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